Good Type, part 3: Good type reads to you.
Conveying a clear message means using a typeface that’s effortless to read. This installment of the Good Type series examines which factors affect readability.
Good Type, part 1: Good type respects its elders.
This first installment of the Good Type series shows how traces of the same forms and styles emerge again and again as fonts are created or revived.
See how Monotype empowers a better in-car experience.
Consumers are increasingly demanding connectivity in their vehicles, and are prioritizing in-car technology that enhances the driving experience.
Inside Santander’s new custom font from Monotype.
Juan Erquicia, Group Brand Manager at Santander, discusses the hurdles his brand faced heading into its rebrand, and how a custom font from Monotype helped solve those challenges.
Charles Nix Tells the Story of Helvetica Now.
Helvetica® is perhaps the best-known typeface of all time, inspiring designers across multiple generations and around the world. Recently, Monotype’s Studio team released Helvetica® Now, a reimagination available in three optical sizes - Micro, Text, and Display. Every character has been redrawn and refit; with a variety of useful alternatives added.
Good Type part 5: Good type is family.
A good typographic system is like a family—and just like people, it comes in all shapes and sizes, allowing it to address a range of design requirements.
Good Type, part 2: Good type has a voice.
If fonts could speak, what would they say? The second installment of our Good Type series looks at how the fonts you choose impact the voice of your brand.
The Future of Brand Expression: Monotype.
In this new video, learn more about how we bring brands to life, utilizing our full product suite to empower modern brand expression.
Good Type part 4: Good type can fly solo.
When it comes to the display fonts, there’s more freedom to experiment and play. Not just with the type itself, but with people’s expectations.