This week we’re speaking with Ximena Amaya, recent graduate of ArtCenter in Pasadena, California by way of Mexico City. Listen in as Kadley Gosselin, Senior Content Strategist at Monotype talks with Ximena about what led her to study design, her desire to use typography as a tool for protest and her exhibition work for emerging technologies as an intern at Pentagram.

On the power of defining yourself as a creative.

How to build an (authentic) sustainable brand. 

Meet Andrew Krivine and Michael Worthington.

Meet Cristina Pandol.

Today, we’re welcoming Sarah Boris, a London-based artist who runs her own creative studio. Creativity seems to be in her DNA. Tune in as Sarah talks about her experiences working in-house versus running an independent creative studio, the power of titles, and her interest in pop art.

This week’s guest is passionate about designing for change. We’re welcoming Nathan Lance, creative director at Leap, a B Corp certified design agency in Truro, England. Nathan is here to spill the tea on eco-friendly design, sustainability, and brand transparency.

This week we’re welcoming Andrew Krivine, author and punk rock collector, alongside Michael Worthington, faculty at CalArts and co-founder of Counterspace. The creative duo is here to tell the tale of how they co-created the largest exhibition of punk and new wave graphics ever shown on the West Coast.   

This week we’re joined by award-winning creative Cristina Pandol, VP Creative at Westbrook Media, an entertainment company founded by Will Smith and Jada Pinkett Smith. Tune in as our own Bill Connolly talks to Cristina about her experiences as a creative from growing up multi-cultural to her short-lived allergy to entertainment. Listen until the end to hear their favorite advertisements.

Over the past four years, we’ve been lucky to forge a reciprocal partnership with the Limerick School of Art & Design / TUS in Ireland. Both Creative Type Directors Tom Foley and Emilios Theofanous have now participated in workshops and modules at the leading fine art, design and creative media school. This year’s students were asked to write a message platform for one typeface and build a marketing plan and design assets to promote it in digital or print media.  

Bauer Media Group, an international multi-business company with hundreds of digital and print properties, implemented Monotype Fonts to serve fonts to hundreds of teams and thousands of employees across the world.

This year, we had the joy of collaborating with Middlesex University and Andy Gossett’s typography module. Phil Garnham (Creative type director and Middlesex alumni) and Emilios Theofanous (Type Designer, Monotype), had the opportunity to host two online sessions, initially to help kickoff the project and a later session during the semester to discuss the process, critique the designs and answer any type design related questions.

Kevin Laurino, Manager of Art & Print Production, Retouching, and Finishing at Netflix, shares some experiences from his career-long relationship with fonts and how to tame the beast that is managing a brand’s font licensing. Here are some tips to help get you started.

Hearst Media has dozens of iconic titles. Learn how Monotype helped them evolve to meet the demands of a growing digital audience by offering more design flexibility and freedom.