Fonts.

Futura Now Variable, with billions of weights and styles, is different than any Futura ever created. It expands the design range of the family exponentially, while shrinking its digital footprint.

Futura Now’s language coverage makes it more useful to more of the planet. With Latin, Greek, and Cyrillic characters, Futura Now covers 89 languages.

FS Renaissance is a display stencil typeface by the Monotype Studio. A collaboration between lettering artist and designer Craig Black and Creative Type Director Pedro Arilla, the single style font explores the intersection between art and design. With artist and designer working hand in hand, each letter was crafted as a standalone piece of art, while working harmoniously together as a functioning typeface.

Macklin is inspired by the era when type leapt off the pages of books and onto large-scale posters and advertisements. With a distinct twist on its typographic predecessor, Macklin’s sharp yet elegant forms push the superfamily to a place that’s more suited to contemporary use and modern design.

Ambiguity embraces both tradition and radicality, as well as generosity and thrift, encouraging us to question our beliefs about the intersection of style and meaning. With five distinct states of being—Tradition, Radical, Thrift, Generous and Normate—Ambiguity merges established concepts with inverse proportions, creating an exciting tool for tweaking text and expressing a range of attitudes and beliefs—from conventional to unorthodox and frugal to extravagant.

Helvetica® Now is a new chapter in the story of perhaps the best-known typeface of all time. Available in three optical sizes—Micro, Text, and Display—every character in Helvetica Now has been redrawn and refit; with a variety of useful alternates added.